Kendrick Lamar - These Walls (Explicit) ft. Bilal, Anna Wise, Thundercat

I'm beyond sick of comments stating hotline bling has more views than Kendrick's video. I'm pretty sure more people think soda tastes better than water, but that doesn't make it good for you.

“You aint been in here long enough, your perm still new” 😩🤣🤣🤣

Kendrick is so unserious it's hilarious. Until it's time to dismantle a MF whole existence in 4 songs 😂

This instrumental is eargasmic

seeing kenny dance with terry crews is the best thing i've seen

we just not gonna talk about thundercat? man's a legendary bass player, really happy he's gonna be on Kendricks new album.

this is what cole’s saying put people to sleep?? oh nah he’s tripping.

It felt like life was at its peak when this came out..

Only Kendrick can get away with a music video inside a music video.

this woman just twerked Kendrick through a wall.

I love How SZA just vibin in the back at 04:51

Kendrick can do any type of music its ridiculous the goat fr fr

EVERY DAMN F*CKING SONG ON THIS ALBUM IS F*CKING ART.

Idc what anyone says. This young man is musical genius.

dude, im a just happy he is with us.

My cousin was the girl dancing on Kendrick against the wall! Her name is Amber she is such a beautiful soul and woman! I'm so happy for her that she was able to do this! I love this song! Kendric Lamar is one of the most talented musicians ever!

Terry crews will never stop being fucking amazing

I’ve watched this video many times and I’m just finally understanding the metaphor of “these walls” representing both the walls of a woman and the walls that society has cast around Kendrick as a black artist. Every line essentially has two meanings with this in mind. And the scene with Terry Crews is particularly metaphorical. “The walls” here plays on the audience’s expectation of Crews planning to commit a potentially violent act for revenge, but ultimately ends up with Crews and Lamar entertaining an audience with a heavily commercialized song (marginalized black art). These are the walls, both the audience’s expectation of a violent act, and the urge to push other black performers aside to perform a commercialized and marginalized form of black art, which is also to the audience’s unconsciously biased expectations. Kendrick’s verses are ultimately centered around these walls that he has to navigate in his life. The line “Every time I come around, demolition might crush” encapsulates how he feels at his current stage in life, as both a man sexually, and as an artist in breaking the walls that society has cast around him. Man I’m obsessed with this…

With all this shit goin’ on, I had to come back to this classic to appreciate the greatest lyricist of our time. Kung Fu Kenny.

This video should have 160M instead of 16M way too underrated