The Problem with Greek Myth Retellings

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Publicado 2024-04-25
Video essays are a bit out of my wheelhouse (and well beyond the capacity of my editing software.) Nonetheless, the huge rise of Greek myth retellings I've been noticing in the past few years both interests me and -- to some extent -- concerns me. I want to reiterate: this is not a personal attack against any work or author discussed in this video. I'm interested in examining the trend as a whole, and although I single out and discuss specific books, I only do so in hopes of highlighting broader trends across the sub-genre. (I guess we can call this a sub-genre now?)

Thank you for watching!

Music:
Opening/closing: Rachmaninov Piano Concerto No 2, Evgeny Kissin (   • Rachmaninov Piano Concerto No  2, Evg...  )
All other music sourced from WoodCut Music (www.woodcutmusic.co.nz/)

Links:
Katerina Cosgrove on her concerns over Greek myth retellings: islandmag.com/read/who-owns-the-greek-myths-by-kat…

Jennifer Saint on the purpose of retelling Greek Myths: www.thenovelry.com/blog/greek-myth-retellings

Hilary Mantel on the purpose of historical fiction: www.theguardian.com/books/2017/jun/03/hilary-mante…

Madeline Miller on her inspiration for The Song of Achilles: www.theguardian.com/books/2021/aug/27/madeline-mil…

Further reading on the history of boars' tusk helmets (genuinely fascinating stuff, I recommend!) www.heraklionmuseum.gr/en/exhibit/boars-tusk-helme…

Todos los comentarios (21)
  • Hello all! This has got FAR more views than I expected, wow! Thank you so much for the many kind, thoughtful comments. I'm very glad to know I'm not alone in my concerns about some Greek mythic retellings. (This video was also a mission to edit, so apologies for glitches, clumsy cuts and misspellings.) In the video, I had a section about Katee Robert's Neon Gods, which I've now cut out. I wanted to discuss my concerns about Greek mythology being used as a selling point for books which, when you read them, can't really justify themselves as mythic retellings. However, for a good portion of that section I was pedantically nitpicking the world building and plot, which is a totally unfair way to judge a book which is a loose reimagining, not a retelling.  I'd also like to make an amendment to the final section of the video. I want to be clear: non-Greek writers are (at least in my opinion) well within their right to write about Greek mythology. However, I believe myths should be retold with due respect and care, especially in light of Greece’s history of colonisation. It disappoints me that many recent retellings market themselves as fixing, amending, or correcting myths (‘telling the untold story of so-and-so…’), and yet often seem to misunderstand or misrepresent their source material. Myths are wonderful, magical pieces of history, and to retell them takes not only skill as a storyteller, but respect and inquisitiveness as a historian. My concern is not that Greek myths are being widely retold, but that they’re being retold in a manner that diminishes the complexity and often strong female voices within the original myths. The marketing of many of these retellings depends on framing the women of the original myths as ‘silenced,’ which is often just not true, and seems a particular shame given these novels are introducing a wide new readership to Greek myths. As a writer, I firmly believe that questioning our right to tell certain kinds of stories leads to a deeper, richer and more complex engagement with our subject matter — and so I don’t raise Greece’s more recent history as a reason not to retell Greek mythology, but rather as a reminder that these myths arrive to us with the complex baggage of history, adding another layer of complexity when retelling them. (The perfectionist in me wants to take this video down, as I don't feel I expressed this point well enough. For now I'll keep it up, but thank you for reading this!) I’m debating whether it might be worth doing a follow-up video to this one, as there’s a lot of stuff I could have discussed in more detail. If there are any topics you’d like me to discuss further, or think I mishandled in this video, please do reply!
  • Demeter is so misunderstood by modern audiences! Like, how ironic is it that so called feminist retellings villainise the woman who challenges the normality of women being kidnapped to become unwilling brides??
  • "a viral tiktok dark romance retelling of the myth of hades and persephone" there is not a comforting word in that sentence
  • @viridia1526
    Why can’t people write about Eros and Psyche if they want a ‘feminist’ retelling? This girl literally goes on many trails and tribulations to win her husband back.
  • @gahye0nie
    i feel like the reason we see so many greek myth retelling novels these days is because a lot of the people who were kids when Percy Jackson came out are now adults and seem to want a "grown up" version of these books in a sense, but I feel like Percy Jackson worked not only because it was so novel but because it didn't directly focus on the gods themselves and instead their demigod children, which allowed the author to maybe explore some themes without completely changing what the myths were about, as you mention.
  • @millacompton
    My least favorite thing about any and every “retelling” of Persephone and Hades is that they do not think about why someone would make this a myth. They do not think about death taking a daughter too young and a mother so furious she would rage against nature itself to get back the daughter she lost. They do not think about death knowing this young innocent girl should not be here so death will try to treat her as kindly as they can. They think only of the stories but not of the domains that these myths represent. The experiences that had to be for these stories to be here.
  • Winter Harvest by Ioanna Papadopoulou is a retelling of Hades and Persephone from Demeter's perspective and very faithfully follows the Homeric telling. It is also written by a Greek author, and hasn't seen nearly enough love. Recommending another retelling may be missing the point of the video, but I wanted to put this one out there.
  • @Tamara-ze9xx
    Comforting to know that even when our bones are dust and names nearly forgotten, Girlbossification still comes for us all.
  • Fantastic video, I also think that part of why all the new Hades/Persephone “love story” retellings miss the point is because for a long time in classical Greece (mainly Athens I think?) girls were often married off very young to older men, something we would consider to be child marriage today. The grief and pain that Demeter felt from having her daughter taken away from her was real to ancient mothers. In erasing her story, it erases the trauma and real story of these ancient mothers and daughters.
  • thank you for talking about how modern adaptations of the persephone myth so often villanize demeter almost to prop up hades and it baffles me that there's no 'feminist retelling' of demeter's fight to get her daughter back. what makes this story different from all the others that are being retold?
  • @rafaela00002
    The Iliad also never blames Helen for the war, Priam tells her it's not her fault, and that if anybody is to blamed it's the gods
  • A club at my school managed to organize a video call with Madeline Miller where we could ask her questions. She explained that, when reading the Odyssey, she was a little disappointed by how Circe was only in a few chapters, so in her book Circe she made it so that Odysseus was only around for a few chapters. You mentioning how most of the retellings are the women talking about the men in the myths reminded me of how all i can remember about the book Circe is her puttering about the small island she's exiled to and her reactions to visitors and the world outside of here changing. The book is almost entirely about her solitude and I kind of like that a lot
  • I'm only 15 minutes in and I already find it baffling that a book called A Thousand Ships isn't actually CENTERED on Helen of Troy. Like...why would you not????
  • @Petrico94
    I think there's also a bias towards medieval history to portray it as neglectful of female voices and want to reinvent it for modern women. A lot might not be as well known as male figures and writers but they won't get anywhere always being a shadow to well known male figures. I'd probably be interested in a story of Penelope having to negotiate with different suitors who mirror the monsters Odysseus weaves through but I care less of her just hearing about what her husband has been doing and then commenting on that over her personal life or getting jealous.
  • @beepysleepy
    "The women who are truly silenced are the ones we don't hear about." Wow. That hit hard! Fantastic video, I'm so glad the youtube algorithm actually recommended me something good!!!
  • 36:06 when you have some knowledge of how marriage worked back then it’s also just incredibly heartbreaking and bittersweet This is at least one mother/daughter duo who was actually reunited
  • I knoew we had too many greek retellings when that YA author who sold her retelling of The Odyssey to Harper Collins admited she never actually read The Odyssey before... sorry but how do you plan on retelling something or saying something new if you don't know the source material? I don't know if it was anti-inctellectualism or just laziness but it was too much
  • “Though the Greek society was intensely patriarchal, the myths they told centered female characters time and again. It's one of the great dichotomies that lies at the heart of Hellenic history. If women in Ancient Greece were such as marginalized class of people ,why did powerful women figure so large in myth?" "My worry is that in this flood of mythic retellings, they add nothing substantive but rely on name recognition alone." When a video essay is worded and hit so well it almost made me shed a tear. Thank you for this.
  • Me: Ugh I’m so sick of stories about Hades and Persephone Also me: One of my favourite video games is Hades and one of my favourite musicals is Hadestown